Artist: Wolf Eyes
Date: 2018-09-30
Venue: Centrala, Birmingham, UK
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Source Info:
DPA4061s > Core Sound HEB BBox (flat) > Edirol R-09HR (WAV 16/44)
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Running time: 50′
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piece 1
piece 2
piece 3
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Wolf Eyes – 2018-09-30 – Centrala, Birmingham, UK [Live FLAC Recording] 241mb
https://mega.nz/#!XbwzGa7A!1liKU511G6eXqP0cKkNmiN5KlB2s7dnlwA0hwUenaV8
BOLD
Brooklyn Bazaar
Brooklyn, New York
October 28, 2018Source: SP-CMC-8(AT-U853A Cardioids)->
SPSB-4 Battery Box-> Roland R-05 16/44.1
Lineage: SD Card-> Pro Tools-> xAct-> FlacRecorded & Transferred by Nitcomb
01 You’re The Friend I Don’t Need
02 Always Try
03 Speak Out
04 Talk Is Cheap
05 Running Like Thieves
06 Clear
07 Nailed To The X
08 Walk Tall, Walk Straight *
09 Positive Scene *
10 Can’t You See *
11 Looking Back
12 Search
13 Hateful
14 Wise UpNotes:
This was an old school CBGB’s style NY Hardcore matinee.
Here’s the rundown:
Mad Diesel
The Lions Cage
Outburst
Breakdown
Bold* BOLD was formally known as Crippled Youth
These are Crippled Youth songs
Bold – 2018-10-28 – Brooklyn Bazaar, Brooklyn, NY [Live FLAC Recoding] 271mb
https://mega.nz/#!aPA13QzA!IFOFZbKkfVuElEJduaM3XdQLfvG1uahJ51POODkwkTs
Wolves In The Throne Room
O2 Ritz, Manchester, UK 2019-02-09
Set list
01 Intro
02 Angrboda
03 The Old Ones Are With Us
04 Born From the Serpent’s EyeBand Line-up
Nathan Weaver – vocals, guitar
Kody Keyworth – guitar, vocals
Peregrine Somerville – guitar
Brittany McConnell – keyboards, percussion
Aaron Weaver – drumsSound Professionals SP-CMC-8 Microphones
Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz)
Edirol R-09HR 44.1kHz / 16 bit
CD Wave Editor>Trader’s Little Helper>FLAC level 8>DimeSupporting Behemoth. American black metal with three guitarists and no bassist.
Wolves In The Throne Room – 2019-02-09 – O2 Ritz, Manchester, UK [Live FLAC Recoding] 183mb
https://mega.nz/#!2CYzzaLL!p9Fx-E33OqvJXRKCGE0g-HSNBT-i2IJgcqokG8jfclc
Death Grips
November 11th, 2017
Gas Monkey Live
Dallas, TX, UStaper: TEXASKNIGHT
source: Sound Professionals Signature Stealth Cardioids (built-in bass roll off unit) > MZ-R500
transfer: MD-M > analog cables > Teac CD-RW890 mkII standalone burner > CDR-0 > WAV
editing: .WAV via wetransfer > CDWave (split) > TLH (flac8, sbe align)01. Electronic Drum Solo Dub Mix (intro)
02. Lock Your Doors
03. Runaway E
04. Say Hey Kid
05. Get Got
06. Steroids Part 1
07. Steroids Part 3
08. Guillotine
09. Giving Bad People Good Ideas
10. Up My Sleeves
11. Steroids Part 7
12. Bubbles Buried in This Jungle
13. 80808
14. Inanimate Sensation
15. You Might Think He Loves You for Your Money but I Know What He Really Loves You for It’s Your Brand New Leopard Skin Pillbox Hat
16. Double Helix
17. Have a Sad Cum BB
18. I’ve Seen Footage
19. Takyon (Death Yon)
20. I Break Mirror With My Face in the United States
21. The Fever (Aye Aye)
22. Government Plates
23. No Lovetrt 57:56
Death Grips – 2017-11-11 – Gas Monkey Live, Dallas, TX [Live FLAC Recording] 272mb
https://mega.nz/#!zWZUXYyD!mC3djQyteDYqYRfIcOzRAPkZw-JJgNvbcHOdhsnblRM
ONEOHTRIX POINT NEVER
SANTA MONICA, CA @ KCRW MORNING BECOMES ECLECTIC
2018-10-23FM Receiver -> CDRW700 -> EAC -> Soundforge -> FLAC
1. Intro > The Station
2. RayCats
3. Toys 2
4. Babylon
5. Interview
6. We’ll Take It
7. Interview
8. Love In The Time Of Lexapro
9. Black Snow
Oneohtrix Point Never – 2018-10-23 – KCRW Morning Becomes Eclectic, Santa Monica, CA [Live FLAC Recording] 270mb
https://mega.nz/#!ifZUXaDZ!y4yqqr0ctdtF3rpVlHrtb5wp0ZUdQa71OnH_o_lBx7I
PRURIENT
Blå, Oslo, Norge
May – 18 – 2018
Supporting GODFLESH—
A LARS M RECORDING
NORWEGIAN QUALITY TAPING
—Rec. Info:
Olympus LS-14 with internal mics (@ WAV 16/44) -> SDcard -> HD -> WeTransfer -> my HD -> (edit/remaster) -> WAV 16/44 -> TLH -> FLAC (8) -> DIME -> YOUR EARS AND MIND…
Recorded by dear friend Lars from close to the stage edge. Unfortunately our dear taper left the battery box for his external mics at home, so this sounds a bit sub excellent than
it might’ve been. Anyway, here’s what we got. I did a little fix on the lower end in favour of mid/high range.—
One long dark – sometimes sinister – soundscape that climaxes into a crescendo of noise. Enjoy! SB.
—01. Untitled (40:00)
DOMINICK FERNOW – electronics and noises
Prurient – 2018-05-18 – Blå, Oslo, Norway [Live FLAC Recoding] 210mb
https://mega.nz/#!HDZUjI4T!2XgC4zMZcUCJ-ApOlIzk91lPdSUF7SFSVSYA9bDjedk
Shackleton (electronics composer) in 60 minutes session recorded for BBC Radio 1extra “Benji B” 2017-03-02 BBC 322kbps HLS stream
BBC 322k AAC > i-Stream recorder (44.1k wav)/Adobe Audition<Tracks>fades>phase correction>Flac
SBE fix/Checksum files done in Traders Little Helper
Boundary-pushing producer Shackleton delivers an hour-long piece of music recorded exclusively for the show.
01 intro
02 Turn that dial
03 outro
Shackleton – 2017-03-02 – BBC Session, BBC Radio 1Xtra, UK [Live FLAC Recording] 453mb
https://mega.nz/#!iPZAWCYT!CZiO8kPbOFzg4ktgPOMW3Df_cTnKEMhqCNkUOu44514
Hijokaidan
Yokohama, Kannai, Club24
November 20, 2005Jojo Hiroshige – guitar
Junko – vocal
Toshiji Mikawa – electronics
Fumio Kosakai – electronics
??? – drums01.
TT: 24m
DPA 4061 > Sony D100 > Tascam CD-RW750SL > CD 1 > EAC (wav) > Audacity/Ozone 5/RX4 (editing, mastering) > TLH (flac)
Hijokaidan – 2005-11-20 – Club24, Kannai, Yokohama, Japan [Live FLAC Recording] 175mb
https://mega.nz/#!KAVFDYyC!4v4JSH_ZCOFgh4kE-T34wlKaJgZ7VdkzeeNz2RrIRzQ
Hijokaidan
Tokyo, Koenji, 20000V
April 19, 2003Jojo Hiroshige – guitar
Junko – vocal
Toshiji Mikawa – electronics
Fumio Kosakai – electronics
??? – drums01.
TT: 16m
CSB > Sony D100 > Tascam CD-RW750SL > CD 1 > EAC (wav) > Audacity/Ozone 5/RX4 (editing, mastering) >TLH (flac)
Hijokaidan – 2003-04-19 – 20000V, Koenji, Tokyo, Japan [Live FLAC Recording] 122mb
https://mega.nz/#!qZNnkIbS!8W9Mk4KTotiCXExcIQIe-IiykEzDbxlz-P-afzpMe6I
HIJOKAIDAN
HOLLYWOOD,CA:HBS AUDITORIUM
11/24/93D3 Cassette Master -> Untracked Aiff File -> Soundforge -> FLAC
Hijokaidan – 1993/11/24 – HBS Auditorium, Hollywood, CA [Live FLAC Recording] 172mb
https://mega.nz/#!bFM1CCRY!FKl2eE3PX1pDyJRhF_H_VYDkRn8NZRM_TsbgQvdWyDw
MERZBOW
Gaelic Theatre, Sydney, AU
February 12th, 2004MD > Sound Forge 5.0 > WAV > FLAC
01. (54:01)
A stunning laptop-era show from Japan’s king of noise,
Masami Akita. A bit distorted in places, although it’s
hard to tell how much of that was coming through the
PA and how much was due to equipment limitations.
Merzbow – 2004-02-12 – Gaelic Theatre, Sydney, Australia [Live FLAC Recording] 402mb
https://mega.nz/#!TFcx3S7b!ZdqBM9L1gqHaRz6kLWjNm_6oiud7qoihDD_3I_3eIFg
Merzbow
Tokyo, Shinjuku Loft
December 6, 2003Merzbow – laptop
01.
TT: 52m
CSB > Sony D100 > Tascam CD-RW750SL > CD 1 > EAC (wav) > Audacity/Ozone 5/RX4 (editing/mastering) > TLH (flac)
Merzbow – 2003-12-06 – Shinjuku Loft, Tokyo, Japan [Live FLAC Recording] 305mb
https://mega.nz/#!PNUXwaqa!JwirtbTnbFZZcpIosTLk_w96eZPl7e-SMAvg86E8vXg
LA MONTE YOUNG 1992-08-06 AUGSBURG audience recording
La Monte Young
The Forever Bad Blues BandSpektrum
Augsburg
06 August 1992“Young’s Dorian Blues in G”
01: Part 1 (46 mins 57 secs)
02: Part 2 (46 mins 54 secs)
03: Part 3 (21 mins 28 secs)La Monte Young: Korg synthesizer
Jon Catler: guitar
Brad Catler: bass
Jonathon Kane: drumslineage: (unknown generation) SONY UX-S C90 and C60 cassette(s) – Pioneer CT-S670D player – wav – flac (level 8) – you
original recording engineer unknown
transfer to wav June 2009 by lurid_uk
uploaded to Dime June 2009 by lurid_ukLa Monte Young had been invited to appear in Augsburg in conjunction with the “Pop Goes Art” exhibition, and this performance of “Young’s Dorian Blues in G” was accompanied by “Ornamental Lightyears Tracery”, projected by Marion Zazeela.
Here’s how Jutta and Carsten Brandt reported on the exhibition itself:
############
POP GOES ART – ANDY WARHOL & VELVET UNDERGROUND
November 29 – December 7, 1990, Hamburg, Germany
This first exhibition came up in the Phonotek of the Hamburger Kunsthalle. In addition to the printed catalog-box, it was the combination of an installation of tape decks that played the most important recordings together with the exhibited records, books, posters, and photographs that illustrated the work of Andy Warhol and the Velvet Underground. Also, the most influential work of such great artists as Angus MacLise, Gerard Malanga, La Monte Young, and Maria Zazeela was displayed in some examples. A very important part of the catalog box and the exhibition were the wonderful photos by Lisa Law.August 5 – September 27, 1992, Augsburg, Germany
The second exhibition came up in a much bigger setting in an exhibition space named the Zeughaus. Of course, the idea and the concept for the exhibition was nearly the same than the first time, but the exhibition space could be divided in special sections. That made possible for every aspect to be documented on its own. It was possible to invite Nat Finkelstein, Gerard Malanga, Sterling Morrison, Maureen Tucker, La Monte Young and Maria Zazeela to show parts of their most influential work in the context of the Warhol/Velvets history. Lots of rare books, posters, records, photographs, and drawings were displayed for the first time. A program of films by Gerard Malanga, Jonas Mekas, Paul Morissey, Ron Rice, Jack Smith, and Andy Warhol took place as a side program during the weeks the exhibition was opened.############
This isn’t a great recording, but it’s not too bad. It is in stereo, but there’s not much dynamic range. I received the recording in 3 parts, spread over 2 cassettes: I have left it that way so it can be easily burnt onto 3 CDRs.
some scans included:
1. Young and Zazeela in Augsburg
2. tickets + programme for the “Pop Goes Art” exhibition
3. programme for the La Monte Young performance
La Monte Young – 1992-08-06 – “Pop Goes Art”, Spektrum, Augsberg, Germany [Live FLAC Recording] 640mb
https://mega.nz/#!yMFW3AxB!rCMGjaBA7I8PHEJwZ2RB_IVj668kc5G5zHdFj48R3kc
Labradford
Britons Protection
Manchester
UK30th October 1997
Sony stereo clip-on mic > Sony DAT
Taper: tarquinlive
Master posted as untracked FLAC at http://tarquinlive.blogspot.com/Master FLAC > TLH (decode to wav) > CDWave (tracking) > TLH (FLAC, checksum)
Approx 1 minute of crowd noise removed from the start and end when tracking.It should be noted that something in the chain from band to recording isn’t quite coping with the sound – I don’t think it’s mic noise, could be something to do with the PA? Very listenable nonetheless.
01 El Lago
02 WR
03
04 S
05
06 Battered
07http://www.brainwashed.com/labradford/
“Labradford was formed in Richmond, Virginia in 1992 and consists of Robert Donne, Carter Brown and Mark Nelson. The band has been described as guitar,keyboards, bass & subdued vocals mix up a brew of lo-ball ambiance and occasional icy sadness. An early press release compared them to: Neu, F/i, Spacemen3, Gate, Dead C. & Jim O’Rourke”
auto_pilot
November 2011
Labradford – 1997-10-30 – Britons Protection, Manchester, UK [Live FLAC Recording] 185mb
https://mega.nz/#!jMMAyASA!mQ9wYBesEjmDFqUkADRc0rW2MY50St-nD0pp2yw7d7Q
Incapacitants
Glasgow Instal Festival Club at Stereo,
Friday 15th February 2008
Audience recording,
Sony ECM-717 > Sony MZ-NH1 > USB > Sonicstage > Wav > Cool Edit Pro > GoldWave > dBpowerAMP > Flac
toshiji mikawa, junko hiroshige and kazuo imai (performing as incapacitants)
One noise : 28.52
This is mental.
Incapacitants – 2008-02-15 – Instal Festival, Stereo, Glasgow, Scotland [Live FLAC Recording] 185mb
https://mega.nz/#!2B8DQIzR!tFp1Cl2zIt_SFTA0BXXa9LZ35AvUHteQB4_9LL5xMJ0
