Artist: Wolf Eyes
Date: 2018-09-30
Venue: Centrala, Birmingham, UK
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Source Info:
DPA4061s > Core Sound HEB BBox (flat) > Edirol R-09HR (WAV 16/44)
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Running time: 50′
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piece 1
piece 2
piece 3
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Wolf Eyes – 2018-09-30 – Centrala, Birmingham, UK [Live FLAC Recording] 241mb
https://mega.nz/#!XbwzGa7A!1liKU511G6eXqP0cKkNmiN5KlB2s7dnlwA0hwUenaV8
This is a CDR released on Gods of Tundra as “Manchester Is Dead” in 2006. Original recording is from their 2005 UK Tour in Manchester.
Wolf Eyes – 2005-07-16 – Jebez Clegg, Manchester, UK [Live SBD Recording] 254mb
https://mega.nz/#!6VcSwaCS!Eh336KMoPbQ95t2q6OSfTxo01b8WjMnnOv4WmD33Mtk
Wolf Eyes & MV Carbon
Intersection Festival
Toronto, Dundas Square
September 2, 2017Wolf Eyes
Nate Young – electronics, harmonica, vocals
John Olson – soprano sax, flute, electronics, percussion
MV Carbon – celloTT: 58m
Schoeps MK4V > NBob Actives > NBox Platinum > Korg MR2 > Audiogate (downsample 1-bit to 16/44) > Audacity/Ozone 5/RX4 (editing & mastering) > CD Wave > TLH (flac, SBE)
Wolf Eyes & MV Carbon – 2017-09-02 – Intersection Festical, Dundas Square, Toronto [Live FLAC Recording] 354mb
https://mega.nz/#!3c8hSZbR!oNAkodP4E8I2yRisH2qwmid3_Qy0Mhnvbg-i_mhLjmU
Wolf Eyes
Friday 29th April 2016
The Dome
Tufnell Park
London
UKLine-up:
John Olson
Nate Young
James BaljoRecorded by stubba: Aiwa CM-DS6 > Sharp MD-MT770 > Audacity 2.0.3 > (FLAC 16-bit 44.1khz)
Wolf Eyes – 2016-04-29 – The Dome, London, UK [Live FLAC Recording] 265mb
https://mega.nz/#!nB1ykJZC!0ZoRtdp1ALLwcs4dVcsZkEC6TKs3kYwKmZ-rd8Qxuas
Wolf Eyes
Moogfest 2017
Motorco Music Hall
Durham, NC
United States
2017-05-20, 20th May 2017—–
Source: Moogfest Live Webcast > livestream > mkvmerge > MKV file
Video H264/1280x720p/30fps/1500Kbps
Audio AAC/2.0/128KbpsTotal Running time 54mins 05secs [602mb]
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Moogfest is the synthesis of music, art and technology.
By day, Moogfest is a platform for conversation and experimentation. This mind-expanding conference attracts creative and technology enthusiasts for three days of participatory programming in Durham, North Carolina. By night, Moogfest presents cutting-edge music in venues throughout the city. Performing artists include early pioneers in electronic music, alongside pop and avant garde experimentalists of today.Wolf Eyes is a post-industrial/noise band from Detroit, Michigan, United States.
Wolf Eyes – 2017-05-20 – Moogfest, Durham, NC [Live WEB Video] 600mb
https://mega.nz/#!yBkCCZBJ!sWiDXJWv8X3x2kWhz3izlaY3bP-iJ69rCv9eT2v2FhM
Wolf Eyes & Richard Pinhas
Instants Chavirés
Paris, France2013-04-28, 28th April 2013
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Source: Soundboard
Total Running time: 28mins 43secs [132mb]1 Untitled Jam.
Wolf Eyes & Richard Pinhas – 2013-04-28 – Instants Chavirés, Paris, France [SBD] [Live FLAC Recording] 132mb
https://mega.nz/#!uUElGbaB!mePnZXDB43kfDaEfbcPVIt23Evbm7iDRYbp6kE-MXQ0
Photos by Horsey of Gormenghast on Flickr
Repost for the reuploading to Mega.
This is a pretty amazing double set by Hanson Records owner Aaron Dilloway & AA Records owner Nate Young.. The review of the gig in The Wire (by Nick Richardson) described it as: “Beginning with low-key junkyard atmospherics, wobbly trash percussion and wheedling synth sound, he [Young] launched into a piece of Poe-like spoken word “Someone help me out of the bottomless pit..” [..] Young used mouth sounds, captured via a contact miked harmonica, to probe the emissions of his ancient equipment, meshing flickering electronics, viscous slobbe and feedback – like velociraptors chewing on movie projectors. [..] Meanwhile, sonically, the whorls of formant shifting synth tones Dilloway sent winging around the room, bristling with bright thorns of noise were in a similar ballpark to Haswell & Hecker’s UPIC compositions. But what made his set particularly astonishing was the gap between the sounds Dilloway was producing and what he appeared to be doing on stage. Instead of a guy hunched over a laptop, he was physically engaged with his equipment to an extraordinary degree. He had two mics lodged inside his mouth into which he leered and rasped, rocking about like a lunatic while ripping fistfuls of tape from the machinies in front of him. Awesome to behold.”
Nate Young and Aaron Dilloway
The Grosvenor, London, UK 07 Apr 2009
2 untitled solo jams
SBD -> HP iRiver H120 -> SoundForge -> FLAC v1.1.4a with FLAC Frontend v1.7.1
Recorded by pjc of DimeADozen
Nate Young/Aaron Dilloway – The Grosvenor, London (7th Apr 2009) [Live FLAC Recording]
https://mega.nz/#!fMMA3BbA!m6XNCRRB8womNcjpa_X-lxKq9zk18Iwd5KCXruS9On4
Another master recording, this time a Wolf Eyes gig from 2007..
Wolf Eyes
2007-20-04
20th April 2007
Whelans, Dublin, IrelandSource: Sony ECM-719 > Sony 1gb Hi-MD > PCM WAV
Location: Front Of Stage. Slightly stage-right.
Transfer: Hi-MD > USB > Slight EQ in Audacity > WAV > FLAC.
– No point splitting this up into tracks. Its all one long
noise jam.. Watch out for “versions” of Stabbed In The
Face, The Driller and Black Vomit though.Total running time: 77mins 49secs
File Size: 494mb FLAC01 – Full show
Wolf Eyes – Whelans, Dublin, Ireland (20th April 2007) [Live FLAC Recording]
https://mega.co.nz/#!XFNyXaSY!1uY34ReUE-6QM73FVtjkEdXwTGhK6EqaqBzMbomPh9k
Photos by Horsey of Gormenghast on Flickr
This is a pretty amazing double set by Hanson Records owner Aaron Dilloway & AA Records owner Nate Young.. The review of the gig in The Wire (by Nick Richardson) described it as: “Beginning with low-key junkyard atmospherics, wobbly trash percussion and wheedling synth sound, he [Young] launched into a piece of Poe-like spoken word “Someone help me out of the bottomless pit..” [..] Young used mouth sounds, captured via a contact miked harmonica, to probe the emissions of his ancient equipment, meshing flickering electronics, viscous slobbe and feedback – like velociraptors chewing on movie projectors. [..] Meanwhile, sonically, the whorls of formant shifting synth tones Dilloway sent winging around the room, bristling with bright thorns of noise were in a similar ballpark to Haswell & Hecker’s UPIC compositions. But what made his set particularly astonishing was the gap between the sounds Dilloway was producing and what he appeared to be doing on stage. Instead of a guy hunched over a laptop, he was physically engaged with his equipment to an extraordinary degree. He had two mics lodged inside his mouth into which he leered and rasped, rocking about like a lunatic while ripping fistfuls of tape from the machinies in front of him. Awesome to behold.”
Nate Young and Aaron Dilloway
The Grosvenor, London, UK 07 Apr 2009
2 untitled solo jams
SBD -> HP iRiver H120 -> SoundForge -> FLAC v1.1.4a with FLAC Frontend v1.7.1
Recorded by pjc of DimeADozen
Nate Young/Aaron Dilloway – The Grosvenor, London (7th Apr 2009) [Live FLAC Recording]
http://www.mediafire.com/?jo33ooh4ex0b6bb
